The Prima Materia, or First Matter, is a difficult concept to define. It has been said that the First Matter is both everything and nothing.
According to D. W. Hauck , “It is the primal One Thing that existed before time, as well as the primordial chaos that contains all possibilities.” It is said that the First Matter carries the germ or seeds of all things that every existed or ever could exist in the future.
In the Emerald Tablet, the “One Thing” refers to the Prima Materia. This was then acted upon by the thoughts or word of the One Mind to create the material reality we can observe with our senses.
The Egyptian hieroglyph for the sound “kh” also symbolized the concept of the First Matter. It was the first letter used in the word khem , which means “black matter which is alive.” [It also the root of the word alchemy.] Other possible translations of this word are “placenta,” “fertile dirt,” or “living black soil.”
It can be thought of as the unmanifest, the part of God or spirit that is all potential, that contains all possibilities.
It the substance that we start with, the raw material that is perfected through the entire alchemical process known as the “Great Work.”
Of all the Ancient Greek philosophers, Plato was the one which had the most influence on subsequent ideas around the role of rhetoric and philosophy. A student of Socrates, he went on to found a school called The Academy, and was known for skepticism about the value of rhetoric.
This skepticism or mistrust of rhetoric likely had much to do with the circumstances surrounding the death of his mentor, Socrates, who was condemned to death by the Athenian court. Plato came to view rhetoric as merely a tool for manipulation. According to him, “Rhetoric is the art of ruling the minds of men.”
In this view, rhetoric was not concerned with truth but with persuasion. This was based on the idea that presentation and style mattered more than truth when it came to rhetoric. This put rhetoric is opposition to dialectic, which involved two parties presenting arguments in a discussion with the goal of determining the truth.
Plato was adamant about the opposition between rhetoric and dialectic, and that dialectic was a valuable practice which led to truth, while rhetoric was less honorable and concerned only with persuasion, often resulting in lies.
I’ve never agreed with his take on rhetoric, to be honest. From my understanding, rhetoric and dialectic are much more similar than Plato would admit. In a future post, I’ll get into more detail on the different ideas various philosophers had about the purpose of rhetoric and dialectic.
For now, I’ll say this about Plato: he had an idealistic viewpoint on what constituted truth, and believed that a rhetorician must first KNOW (philosophy) before he is to CONVINCE (rhetoric). Truth was determined through dialectic, or argumentation. Rhetoric was a tool to persuade or deceive, and therefore hardly worthy of the true philosopher.
According to Richard Tarnas, the archetypal is the spiritual and energetic. It was originally experienced by human people as “Gods” and “Goddesses,” and described in terms of mythologies.
The archetypal is about the essences and qualities that transcend the human.
These ideas were later expounded upon in Ancient Greece, with the philosophies of Plato and Plotinus, among others. They were forgotten for many years until their recovery by the likes of Nietzsche, Freud, and Carl Jung.
Jung’s depth psychology explored the idea of the archetypal pleroma, the pantheon of archetypal energy, both within and without. It was Jung who recognized that we are in psyche. It informs not only us but all of nature. This is what is meant by the Anima Mundi, or world soul.
It was through myths that man tried to understand and convey its experience of this world soul. Myth, as well as dreams, are the narrative form of archetypal energy. According to Tarnas, this is how the cosmos pours its consciousness through us humans. The archetypes are thus the mediators of the cosmos, the way the Anima Mundi often speaks to us directly of its secrets.
Plotinus says that astrology is like a script that the soul of the sky is writing. Meaning is something that extends and permeates through all levels of reality and existence. We are living in a pan-psychic universe, and if we wish to, we can be active participants with this consciousness or sentience.
The cosmos gives us guidance on how we can participate constructively. The archetypes don’t “cause” human affairs or outer events to occur in some mechanistic way. Instead, it is open to our human participation.
It is as if the universe or nature is providing us with symbols or guideposts regarding the qualitative meaning of our unfolding. We can choose to participate actively in our own evolution by noticing and following the signs provided for us by the macrocosm.
After the Bellows Breath, you may want to follow up with another practice called the Dance of Sulfur.
Sulfur is a yellow powder which the alchemists believed symbolized the active masculine principle of fire. It was often used in laboratory alchemy in the form of sulfuric acid (also known to them as vitriol).
The Dance of Sulfur is an exercise to increase energy and circulate it in the body. Not only that, it is ideal for taking the emotions which arise in Roasting Cinnabar and the energy raised in Bellows Breath and expressing them in a healthy way. We can use the Dance of Sulfur to let go of pent up rage, aggression and other emotions that have been suppressed or held in our bodies for too long.
HOW TO PRACTICE
To begin, you can put on some music (some say angry or aggressive rock music works best) and start to dance. You can try any other type of aerobic movement that will increase your heart rate, like jogging in place or jumping rope, but I prefer to dance, as it really allows you to get into the music and feel the powerful feelings which have been brought up by other alchemical practices. Aim for at least 20 minutes of movement in this practice.
Try to leave thought and the conscious, rational mind behind. As much as you can, drop your awareness into your body, feel all the emotions coming up as the energy grows stronger and rises within you.
Once you feel you are in the moment and present in your body, start to imagine intense, fiery energy rising up in waves from below. You can then direct that fire energy to any areas of tension or pain in your body (either physical or emotional). Let the flames wash over you, consuming the stagnant ego structures of your past, and burning up and releasing any ideas, emotions or behavior you want to let go of.
This practice, along with the previous two, may be used alone or in conjunction. If you have the time, I recommend creating a ritual that combines Roasting Cinnabar, Bellows Breath, and the Dance of Sulfur (in that order).
When I have done this set of practices together in the past, I like to say a prayer or set an intention (whatever works for you), and I light a red candle to honor the rage and pain of the past, and to symbolize what will be consumed and released during the ritual. You may also want to conclude this set of practices with a ritual bath (salt baths are great for this). Visualize the salt water cleansing you of any remnants of anger or stuck energy, then picture all of these troubles leaving you for good as they are washed down the drain at the very end.
Bellows Breath is an active meditation that can be used to increase conscious awareness and raise energy in the body. Practitioners of Kundalini Yoga may recognize this as what they call the “Breath of Fire.” It can be used to release stuck energy in the body, oxygenating the blood, and expanding lung capacity.
HOW TO PRACTICE
Begin by sitting with your legs crossed. Then focus on the energy in your body around your navel.
Keeping your mouth closed, begin by inhaling and exhaling rapidly through your nose. The in and out breaths should be equal in length, but as short as possible. As you exhale, push the air out of your lungs quickly, similar to a bellows used to start a fire. Try for between 2-3 breaths per second.
After a few minutes, you may start to experience a warm energy rising from your navel up to your head. Try to experience this rising energy without any judgements or assumptions about you are feeling. Just feel the energy spreading in your body.
You may choose to imagine that as the energy rises, it is clearing away physical or emotional blocks in your body. You can visualize this fire energy moving through your body and burning away any toxins, negativity, stuck emotions, or past behaviors, leaving only a healthy body and mind behind.
A good Calcination ritual to start with is known as Roasting Cinnabar.
This meditative process is related to the work done by alchemists in the laboratory, working with real chemicals.
In this process, alchemists would would roast the mineral known as “Dragon’s Blood,” or Cinnabar, which is a red-colored sulfide of mercury. When roasted over an open flame, drops of pure liquid mercury are released from the cinnabar and fall down into the ashes.
The purpose of this meditative process is to get us in touch with our mostly unconscious judgements and reactionary behaviors that serve to protect and enhance our egos. We must become aware of these forces within our psyches before we are able to release them to make room for our true or higher Self.
HOW TO PRACTICE
Start by entering a state of relaxation, one in which you feel detached from your worries and daily concerns or problems. You can do this by focusing on your breath, by noting the “in” or the “out” breath or by counting each breath as it passes. You may also use a mantra of your choice to bring your attention inward. When you find you are relaxed, move on to the next step.
Slowly count backwards from 10 down to 1. While counting down, continue to relax each part of your body, starting at the crown of your head and moving down to your toes. Take care to make each breath slower and deeper than the last.
Visualize brilliant red cinnabar roasting over an open flame. As you do so, let your mind travel back to any moment of your life where you felt humiliated or enraged by someone else. Try to notice the true cause of your intense feelings—they are typically tied up in a sense of losing control, of not having any power over yourself, and of your ego or sense of self being diminished.
Observe your thoughts as they stream through your mind. Notice the ways in which you reacted to being hurt. This can include such things as promising yourself you will never be vulnerable and risk getting hurt again, or lashing out at someone else to soothe the ego’s pain. Re-evaluate how you responded to these painful circumstances. Ask yourself, is this the best way to respond? How would my higher or wiser self choose to respond instead?
Most importantly, allow yourself to experience all of your difficult feelings. Avoid suppressing and repressing your pain. It never truly goes away, and there is much wisdom to be found in the depths of your own darkness.
Notice all of the insights and wisdom that come up as you do this. Picture this to be the mercury being released from the cinnabar. Imagine yourself gathering up all of this precious mercury into a glass bottle as it is released from the rocks of cinnabar.
This mercury, this purified thought, is now yours to use as you wish.
There are seven operations in the process of alchemy, the first of which is calcination.
This is the process of burning through the dross of the ego we have built up over the course of our lives, so that our true self may be released and expressed.
This is not an easy experience to go through, which is why so many of us avoid it. It often seems safer to cling to our egos, no matter how much suffering they may cause us, than to face the delusions we have accepted and the lies we have built into our personalities.
This process requires us to go through the fires of hell in order to emerge renewed. We must experience all of our pent up anger, frustration and rage before we can move past this stage.
We are forced to come to terms with some of our most difficult emotions in a process which has been referred to as “the death of the profane.” The false self must die in order that the true Self may live.
For there is no room in the psyche for two rulers. The false ego drains our energy, asking us to focus on superficial qualities or objects. We may focus on our physical appearance or have an obsession with material possessions and financial success. All of which obscures our essence, our higher self which is in touch with something greater than ourselves, and out of which meaning and purpose are born.
Some alchemical practices for working with our egos and moving the calcination process forward are Roasting Cinnabar, Bellows Breath and the Dance of Sulfur. It is important to recognize that alchemy is not an abstract, theoretical mental discipline. It involves all the dimensions of our being, and as such is something that much be practiced.
You can choose to do one alchemical practice at once, or as I have done, combine several into a longer calcination ritual. I will describe the practicalities of these processes more in depth in coming posts here.
Last week I had the privilege of attending an online talk led by Richard Tarnas, author of Cosmos and Psyche, on the astrology of 2021. It truly an honor to be in the presence of a man who is widely recognized as one of the great minds of our time.
During his presentation, Tarnas chose to focus on three of the most significant transits of the past and current decade:
Uranus square Pluto, lasting from 2007 to 2020
Saturn conjunct Pluto, from 2018 to 2022
Saturn square Uranus, from 2019 to 2024
The Uranus-Pluto square brought to the surface many of the things which lay in the collective shadows. According to Tarnas, Trump was a potent symbol of the shadow side of this Plutonian energy—he gave permission to other to express many of the things which lay beneath the surface in our society (racism, misogyny, etc.), bringing them into open expression.
The Saturn-Pluto conjunction, which also aligned with Jupiter last year, was one of the most significant of our time. This triple conjunction saw discovery and proliferation of COVID-19, as well as a host of other dire effects. Whenever Saturn enters the picture, it brings with it a great heaviness and seriousness, during which judgements are made and there are consequences.
According to Tarnas, the triple conjunction of Jupiter-Saturn-Pluto in Capricorn was in many ways an initiatory crisis for us. In many ways, it provoked a moral crisis, an awakening which asked us to die to our old identity and be born into a life of meaning. Tarnas spoke of this on a collective level, but I also have felt this to be true on a personal level during the past year. By confronting death, I was able to see life more clearly, and was forced to find a way to live it more courageously and with much more integrity.
The two transits mentioned above are all coming to an end, and we are now left with the major, definitive transit of 2021, the Saturn-Uranus square. The transit will be exact on three dates this year: February 17, June 15, and December 24.
This is not an easy transit. However, Tarnas believes there is still more room to maneuver here than under the Saturn-Pluto conjunction of last year. The energies are now fully engaged, we feel less trapped and are more inspired to face the challenges directly. It’s as if we have gone through a near-death experience, and the life that remains has been imbued with greater preciousness and significance. We are willing to fight for the changes that we need to make in our lives.
Uranus, the unconventional, rebellious planet of change, will meet Saturn, the wise but severe taskmaster of the sky several times through this year, leading to an energy which is great for making creative structural changes in order to permit wiser living and greater freedom. It would be well-advised to make prudent changes slowly and gradually; if we choose to ignore the lessons imparted by Saturn and Uranus, we may find that a sudden break or collapse may occur when we least expect it.
As challenging and disruptive as this may be, the Saturn-Uranus squares of 2021 have the potential to be a sacred marriage of the past and future. If we use this time wisely, we may be able to carry forward what is most valuable from the past, discern what is most promising of the future, and together bring both into structural embodiment.
These crises can be opportunities for us to reconfigure our moral values and make creative, structural changes that will serve us well for years to come. Like with any difficult transits, the more consciousness, creativity, imagination, and courage that we can bring to bear on this situation, the better.
Many of us consider a maze and a labyrinth to be one and the same thing, but there is actually a subtle difference.
LABYRINTH is the term used when there is only one fixed, or unicursal, path to the center.
A MAZE, on the other hand, refers to a multicursal path that may contain dead ends or different ways to reach the center, and where the possibility always exists to become lost within.
For example, the structure built by Daedalus to hold the minotaur in Ancient Greek mythology has usually been referred to as a labyrinth, but today we might all this a maze, as it was clearly multicursal, with many complex paths and dead ends meant to trap the minotaur.
The unicursal labyrinth is powerful symbol of spiritual transformation. The labyrinth was a symbol which combined the circle and the spiral into one symbol of wholeness.
To move from the outside starting point of the labyrinth to the center, and then back again, is symbolic of the spiritual journey to the center of the self and beyond.
I found a lot of insight into the symbols of the maze and the labyrinth in the words Marion Woodman, renowned author and Jungian analyst:
“A maze is a puzzle to be solved. It has dead ends. You may get lost in a maze. You run into a minotaur and be killed.”
Like Woodman, I spent many years of my life feeling like I was trapped in a mazed, living as if in fear of a deadly minotaur, and confronting dead end after useless dead end.
“A labyrinth looks superficially like a maze, but it’s different. There are no dead ends, no traps. There is only one path, and it takes you by a circuitous route to the center.”
In her own life, Woodman found that when she at last confronted her deepest fears and faced death, she was also able to realize the perfection of her life experience and see the purpose of her path.
“I was finally able to surrender to life, because at long last I KNEW there was a center and that if I kept listening, opening, and walking forward, my path would lead me to that center.”
I am finding that the same is true for me. I am going to keep walking. I know the center is there, ever present, just waiting for me to open my eyes to it.