All the World’s a Stage, and the Sun and Moon merely Players

This morning I woke up from a very difficult dream. I had spent most of the night crying in my sleep. Here’s what happened: 

In my dream my dad and my brother were going to all these different events and giving speeches about everything that was wrong with me and why I deserved to be rejected. I sat at all of them, trying to plead with them and convince them otherwise. No one listened to me, and I cried as I saw them give speech after speech on everything that was “bad” and “wrong” about me.

Oddly enough, my mom was by my side at every one of these events with me. Sometimes in their speeches they would briefly mention how bad and wrong she was too, although the focus was mostly on me.

When I woke up, I felt very upset and saddened by what I had experienced over the course of the night. 

What really stood out to me, though, was how my mom was on my side at every point during this dream. It’s really not like her to stand by me (in fact, she would have been the most likely of any of them to give a speech like that attacking me).

So I had to ask myself, what could this apparently small detail mean? I was sure it was significant.

Pretty quickly, it occurred to me that maybe it was my unconscious trying to show me the way my anima and animus related to each other. 

The Marriage of the Sun and Moon

The anima/animus was a concept developed by Carl Jung which in a sense, describes the anima as the part of our psyche which can be thought of as being “feminine.” The anima is associated with the unconscious, the body, and our feeling and emotional states, as well as our desires and needs.

The animus, on the other hand, is believed to be the part of our psyche which analytic psychologists associate with the masculine. The animus is thought to relate to our conscious mind, our rational thought processes, as well as order, reason and logic.

Although most of us within a given culture will tend to have these basic conceptions of what our anima/animus are like, the way that they actually present themselves within a given individual’s psyche is highly personal, dependent on life experience and unconscious psychic material.

I think this dream was trying to show me the way that my inner masculine or conscious mind relates to my inner feminine, or emotional/feeling part of me. 

I saw how my masculine side was in fact very abusive to the feminine parts of me. The “rational” conscious side tends to dominate and hurt the emotional feeling side. It has all of these unrealistic expectations about how things “should” be, and it punishes and hurts the parts of me that refuse to comply.

I began to see how I have internalized the roles that I saw my mother and father play. I introjected their beliefs and patterns of behavior, and in turn had my inner masculine/feminine adopt the same roles within myself.

One of the unhealthy ways in which this has manifested for me has been that I have very little ability to care for myself. I refuse to listen to what my body is telling me, or to accept what I am feeling. 

Instead, I tell myself: “No. You need to work harder. You don’t deserve to rest until you’ve done better. You don’t deserve anything until you’ve achieved what I tell you to. Not until you stop being bad.” 

This usually results in me forcing myself to do what I don’t want to do. I hurt myself this way because I’ve long believed that’s the only way to “discipline” the parts of me that are “wrong” and “bad.” These bad parts are always the feeling parts, that part of me which has needs and desires and wants to rest and feel okay.

I’m starting to understand that my animus does not necessarily possess some kind of truly evil intent toward the anima. The attitude of my animus, in fact, reflects the very same beliefs which my father has held toward my mother. He has always tried to “help” her, but in a way that reflects some pretty toxic underlying beliefs about her (and possibly about women in general). 

My mother has been perceived, in his eyes, as being: unintelligent, even stupid; incompetent and incapable; crazy, confused and irrational; and even bad, wrong, and unwilling. 

This, in turn, is perceived as requiring his need to act to control and dominate and coerce her into “seeing the truth” and accepting the superiority of his more rational and “right” values and ways of being.

Even though this is obviously insulting, selfish and even maybe abusive, I can see that there is a genuine belief that he is doing his best to “protect” and “provide” for her. It is based on a perceived inferiority on the part of the feminine in general and my mother in particular.

Just as my father treated my mother, my “thinking” conscious self now treats my unconscious (my body, my feelings and my desires) in very much the same way.  

It seems to genuinely believe in the fundamental “wrongness” of my feminine or feeling side. As crazy as it might seem, it wants to protect it, and it does so the only way it knows how: by bullying it into doing what it thinks is “right.”  

The psychological rule says that when an inner situation is not made conscious, it happens outside as fate. That is to say, when the individual remains undivided and does not become conscious of his inner opposite, the world must perforce act out the conflict.”

Carl Jung

I’m starting to understand how this impacts my relationships, as well. If I can’t have my inner parts of myself relate to each other in a way that is positive and healthy, I’ll never be able to have a relationship that is any better. 

If I don’t do anything to shift the roles inhabited by my anima and animus, then I will continue to recreate these same roles in all of my romantic relationships that I may enter in the future.

This dream seemed to be the way my unconscious was trying to get me to see what I needed to change in myself before I could move beyond these patterns in my life. 

I can see now that I must begin to make these changes starting from within. I know and trust from experience that if I can do this, then the problems I’ve experienced in the outer world will begin to shift naturally as a result of the changes in my inner world. 

As above, so below. As within, so without.”

The Emerald Tablet

An Introduction to Inner Visions

About a year ago, I started working with a Reiki healer for the first time, due to some challenges I was experiencing with my health.

White roses bloom

During these sessions, I began having a series of visions that were ultimately instrumental in healing deep-rooted issues (some of them even addressing trauma experienced in past lifetimes.

I wanted to begin sharing these visions with you here. 

First, I’d like to explain what I mean by “vision.”

I’d describe the experience of the visions I’ve had as a kind of altered state of consciousness. The closest thing I can compare it to is simply a dream, but there were some important differences. 

For one, although I was relaxed, I was still fully awake and alert, able to open my eyes and move if I wanted to.

Like in most dreams, I did not have control over the contents of these visions. I experienced them as being “given” to me by something beyond myself (or at least, beyond my conscious, ego self). 

Unlike lucid dreaming, where you can influence the object and events which you’d like to appear in your dream world, I had far less control. 

It was as if all I had was a remote control, where I could slow down, move on to the next scene, and even go deeper into a particular scene or object. The content of what I saw, however, was not up to me to determine.


I had my first session in August of 2020, and my first experience was fairly simple. This was a distance healing, and I later found the in-person sessions to be far more intense.

At the start of the session, I put everything down and lay on my bed in a quiet room, with eyes closed and an intention to be as receptive to the energy as possible.

Not long after, I began to see in the darkness behind closed eyes what appeared to be shifting shades of colored light.  It was more like the emptiness of the dark void was a piece of  black or dark gray paper being painted with light watercolors. 

The blackness remained, but there was a new overtone, a shading that was not present earlier. These colors started out on the violet end of the spectrum down to red, as my healer worked with my energy body from the crown of my head to the root chakra. 

After several more minutes, I started to see more concrete images appear in my field of awareness. I began to sense all the blocked areas within me, places where there was stuck energy, the result of long years of denial and suppressed emotions. 

The stuck areas appeared to me like old, dusty scrolls of parchment covered in illegibly scribbled symbols, written ages ago by the hands of men who never knew me, men who had long since died, men who did not matter.

As I felt light come into contact with the stuck energy, I saw the parchment burst into brilliant orange flames. These flames consumed the paper, devouring the scratches of ink, nullifying all that was ever thought or written by false authorities of times past.

Where once there had been records of false philosophies, now, there was only ashes. From the ashes of this all-consuming fire, I saw the tendrils of vines sprout and grow to cover the charred earth. The vibrant green of these vines soon gave way to the blooming of lavish white roses, bursting with life and vitality, almost overwhelming in their rich aliveness.

I could feel myself being renewed by the cleansing breath of the flames as they coursed through my body. The fresh vitality unfolding in the roses which bloomed within assured me with hope of a new life to come.

A Tarot Reading from July 10th, 2020

For this reading, I had asked the following questions:

What should I be focusing on now? Is there anything I need to know about my purpose, especially as it relates to my personal healing and growth?

What follows are the notes I took that day on my interpretation of these cards:

The Core of the Issue & What Crosses It: Death crossed by 10 of Cups

Truly, the core of my question is in many ways about the process of death and rebirth I now find myself in.

I’m dying to many past elements of myself and my past so that I may be reborn again and become the woman I know I am meant to be now and in the future.

As I accept and lean into this dying, my natural joy seems to be returning. There is no longer such a driving pressure to push myself into “achieving” happiness.” 

Instead, as I let all that does not serve me wither and fall away, my well-being seems to arise more spontaneously.

The Basis of your Question: 7 of Pentacles

The basis of my question is that I am looking to my past to observe what has come about as a result of it, in order to start making plans for my future. I’m seeing what I have sown and what I have reaped so that I can do differently in the future if I want to.

Recent Past: 3 of Wands

This is reinforced by the 3 of Wands in the position showing my recent past. This card is about surveying the landscape in front of you and using your previous experiences, current desires and even your past pain as you look out toward what could become your future. It means pausing and taking the time to ascend to higher ground to view the territory from a more objective perspective.

Higher Self: Queen of Pentacles

This position is meant to represent your Higher Self, and with the Queen of Pentacles here, it shows how I have been learning how to take on the role of being a mother to myself. I am finding ways to give myself all that I once wanted and needed as a child, but never was given or allowed to have by my actual mother.  Above all, I am learning how to hold myself gently and with care, much as this Queen holds her Pentacle on her throne.

Near Future: 8 of Cups

This shows how, much like in the image on this card, I am preparing to leave behind one situation to go out in search of greater happiness and fulfillment. In this card we see a solar eclipse, symbolizing one kind of order or way of being in the world receding as a new one arises to take its place.

What I Bring to the Situation: 9 of Cups

I think that in some way I do feel like my wishes are being granted right now. I’ve read anything and everything out there, gone through so much therapy, and worked so hard in an effort to heal, and now I feel that this healing is happening for me. 

What Others Contribute / How What You Bring is Perceived in Your Outer Environment: Page of Wands

This card can indicate a sense of honesty, innocence and eagerness to please. It can mean someone who has great ideas and intentions, and shows a lot of excitement at the beginning of a project, but is usually not so great with the follow through. It’s a reminder that I need to be more persistent and committed to acting on my goals (and not just the dreaming and planning parts).

Hopes & Fears / Advice: 9 of Pentacles

The woman in this card is known to be independent, self-assured, secure, and at ease in abundance. She has good boundaries and has taken the time to cultivate herself in order to achieve success. Truly, this is what I want most for myself right now.

Final Outcome: 7 of Cups

This card is all about imagination, fantasy, illusions and dreams. This reflects the danger I am in of falling into a familiar pattern or trap that I have of eternal dreaming about the possibilities and never getting anything real or substantial accomplished. So with that said, I know now that I need to be careful and watch out for this as I move forward.

I want to commit to taking direct, practical action on specific tasks that will actually move me forward towards my goals. I need to release my previous patterns of overthinking and endlessly theorizing while I neglect reality and my actual state of affairs. I’m ready to start making real changes now.


Want more clarity on what’s really going on? Need guidance on what your next steps should be?

A tarot reading is the ideal resource for all of that and more. Let’s work together.

The Dance of Sulfur

After Bellows Breath, you may want to follow up with another practice called the Dance of Sulfur.

Sulfur is a yellow powder which the alchemists believed symbolized the active masculine principle of fire. It was often used in laboratory alchemy in the form of sulfuric acid (also known to them as vitriol).

The Dance of Sulfur is an exercise to increase energy and circulate it in the body. Not only that, it is ideal for taking the emotions which arise in Roasting Cinnabar and the energy raised in Bellows Breath and expressing them in a healthy way. We can use the Dance of Sulfur to let go of pent up rage, aggression and other emotions that have been suppressed or held in our bodies for too long.

close up shot of blue flame
Sulfur fire burns blue

HOW TO PRACTICE

  1. To begin, you can put on some music (some say angry or aggressive rock music works best) and start to dance. You can try any other type of aerobic movement that will increase your heart rate, like jogging in place or jumping rope, but I prefer to dance, as it really allows you to get into the music and feel the powerful feelings which have been brought up by other alchemical practices. Aim for at least 20 minutes of movement in this practice.
  2. Try to leave thought and the conscious, rational mind behind. As much as you can, drop your awareness into your body, feel all the emotions coming up as the energy grows stronger and rises within you.
  3. Once you feel you are in the moment and present in your body, start to imagine intense, fiery energy rising up in waves from below. You can then direct that fire energy to any areas of tension or pain in your body (either physical or emotional). Let the flames wash over you, consuming the stagnant ego structures of your past, and burning up and releasing any ideas, emotions or behavior you want to let go of.

This practice, along with the previous two, may be used alone or in conjunction. If you have the time, I recommend creating a ritual that combines Roasting Cinnabar, Bellows Breath, and the Dance of Sulfur (in that order).

When I have done this set of practices together in the past, I like to say a prayer or set an intention (whatever works for you), and I light a red candle to honor the rage and pain of the past, and to symbolize what will be consumed and released during the ritual. You may also want to conclude this set of practices with a ritual bath (salt baths are great for this). Visualize the salt water cleansing you of any remnants of anger or stuck energy, then picture all of these troubles leaving you for good as they are washed down the drain at the very end.

Roasting Cinnabar

A good Calcination ritual to start with is known as Roasting Cinnabar.

This meditative process is related to the work done by alchemists in the laboratory, working with real chemicals.

In this process, alchemists would would roast the mineral known as “Dragon’s Blood,” or Cinnabar, which is a red-colored sulfide of mercury. When roasted over an open flame,  drops of pure liquid mercury are released from the cinnabar and fall down into the ashes.

The purpose of this meditative process is to get us in touch with our mostly unconscious judgements and reactionary behaviors that serve to protect and enhance our egos. We must become aware of these forces within our psyches before we are able to release them to make room for our true or higher Self.

Pure Cinnabar powder

HOW TO PRACTICE

  1. Start by entering a state of relaxation, one in which you feel detached from your worries and daily concerns or problems. You can do this by focusing on your breath, by noting the “in” or the “out” breath or by counting each breath as it passes. You may also use a mantra of your choice to bring your attention inward. When you find you are relaxed, move on to the next step.
  2. Slowly count backwards from 10 down to 1. While counting down, continue to relax each part of your body, starting at the crown of your head and moving down to your toes. Take care to make each breath slower and deeper than the last.
  3. Visualize brilliant red cinnabar roasting over an open flame. As you do so, let your mind travel back to any moment of your life where you felt humiliated or enraged by someone else. Try to notice the true cause of your intense feelings—they are typically tied up in a sense of losing control, of not having any power over yourself, and of your ego or sense of self being diminished.
  4. Observe your thoughts as they stream through your mind. Notice the ways in which you reacted to being hurt. This can include such things as promising yourself you will never be vulnerable and risk getting hurt again, or lashing out at someone else to soothe the ego’s pain. Re-evaluate how you responded to these painful circumstances. Ask yourself, is this the best way to respond? How would my higher or wiser self choose to respond instead?
  5. Most importantly, allow yourself to experience all of your difficult feelings. Avoid suppressing and repressing your pain. It never truly goes away, and there is much wisdom to be found in the depths of your own darkness.
  6. Notice all of the insights and wisdom that come up as you do this. Picture this to be the mercury being released from the cinnabar. Imagine yourself gathering up all of this precious mercury into a glass bottle as it is released from the rocks of cinnabar.
Mercury
Mercury in his element

This mercury, this purified thought, is now yours to use as you wish.

Liquid mercury

Calcination

There are seven operations in the process of alchemy, the first of which is calcination.

This is the process of burning through the dross of the ego we have built up over the course of our lives, so that our true self may be released and expressed.

This is not an easy experience to go through, which is why so many of us avoid it. It often seems safer to cling to our egos, no matter how much suffering they may cause us, than to face the delusions we have accepted and the lies we have built into our personalities.

This process requires us to go through the fires of hell in order to emerge renewed. We must experience all of our pent up anger, frustration and rage before we can move past this stage.

We are forced to come to terms with some of our most difficult emotions in a process which has been referred to as “the death of the profane.” The false self must die in order that the true Self may live.

For there is no room in the psyche for two rulers. The false ego drains our energy, asking us to focus on superficial qualities or objects. We may focus on our physical appearance or have an obsession with material possessions and financial success. All of which obscures our essence, our higher self which is in touch with something greater than ourselves, and out of which meaning and purpose are born.

Some alchemical practices for working with our egos and moving the calcination process forward are Roasting Cinnabar, Bellows Breath and the Dance of Sulfur. It is important to recognize that alchemy is not an abstract, theoretical mental discipline. It involves all the dimensions of our being, and as such is something that much be practiced.

You can choose to do one alchemical practice at once, or as I have done, combine several into a longer calcination ritual. I will describe the practicalities of these processes more in depth in coming posts here.

Nigredo: The Black Phase of Alchemy

Nigredo, Albedo, Rubedo: The 3 Phases of Alchemy
Nigredo, Albedo, Rubedo: The 3 Phases of Alchemy

Alchemists have generally divided the Great Work into three distinct phases, referred to by their color: the nigredo (black phase), albedo (white phase), and rubedo (red phase). 

In earlier times, some also spoke of the citrinitas (yellow phase) that was said to occur between the white and red phases. However, this term is less frequently used by the more contemporary alchemists of today.

The different colors of alchemy were based on actual, physical alterations in the appearance of the material worked on in laboratory experiments. These colors, however, are also evocative symbolically of the emotional tone which characterizes each phase of the work on a psycho-spiritual level. 

In laboratory work, the nigredo is a time when the prima materia begins to decompose or rot. On both the physical and psycho spiritual levels, it contains the lesser phases of Calcination and Dissolution within it. This is the time for the mortification of our very soul, and the time where our spirit most deeply feels the anguish of separation from truth.

The putrefactio is considered to be by far the longest and most difficult phase of the magnum opus. It is a time when we must let all the dross drop away. It is often known as the “dark night of the soul,” describing a time when we are forced to confront all that is dark and difficult within ourselves, and ultimately to let go of our attachment to our shadow, releasing the past. 

Here, we are being asked to let go of all within us and outside of us that is false, inauthentic, and not in full alignment with the truth of who we are. This is a truth as it exists on a soul level, far beyond the ego and its limited ideas or illusions about who we “should” be. 

It is a process made far more difficult by the resistance and defenses we put up against it. Many of us will resist for years, most often for much longer, remaining unwilling to accept that our lives, as we know them, are over. Few of us are quick to grasp the fact that there is new life waiting for us if we would only let go of the limited vision of existence we usually try so desperately to cling to.

It is only when we become willing to surrender that the alchemical process truly begins. Only when we are willing to die do we have the chance to one day be reborn. 

The Major Arcana

Most tarot decks in use today, including the Rider-Waite, contain a standard number of 78 cards, which is then split into two sections: the Major Arcana and the Minor Arcana. 

The word “arcana” itself means “a deep or profound secret.” It is thought that each of these cards contains symbolic imagery revealing a powerful hidden meaning. These cards are meant to convey, through a pictorial language, the secret mysteries of the universe and our place within it. 

The Major Arcana contains 22 cards, numbered from 0 to 21, all of which go beyond the more common, quotidian concerns represented in the 56 cards of the Minor to touch on the archetypal dimensions of our spiritual development. 

Furthermore, we can look to the Major Arcana not simply as a set of 22 isolated archetypal ideas, but rather, as a mythic or heroic journey, one that each of us may choose to undertake as a route to greater self-knowledge and realization.

We can start by turning our attention to the first of these cards, The Fool. It is interesting to note that although this is the first of the series, it does not carry the numeral 1, but 0. 

As we will see in greater detail in our next post dedicated to this card, the Fool likely carries the number 0 because it is representative of pure potential. As a symbol of the unmanifest, the Fool contains all possibilities within himself.

In some sense, the Fool exists outside of the trajectory represented by cards 1 through 21 of the Major Arcana. We can even think of the Fool as being the hero of the Major Arcana’s series of transformations. For it is the Fool which takes a leap of faith, from a place of unrealized potential into a life of action and consequence. 

In fact, there are many commentators who have even called this series of 22 cards “The Fool’s Journey.” It is wise to keep in mind, however, that this is not merely a story about the Tarot’s naive protagonist. It is not the tale of a character in a land far from us; it is in fact our story, describing a journey each of us must go on as individuals on our way to greater awareness and self-actualization.

We all start out like the Fool, inexperienced and filled with boundless optimism, dazzled by the seemingly infinite options which glitter like stars on the horizons of our futures. 

Each of us, like the Fool, takes a similar leap of faith into what is to come. As we move forward in time, each of us makes choices, acting on decisions that lead us through certain doors, decisions which simultaneously will close certain others.

Some sources, such as modern mystery school Builders of the Adytum and noted author Rachel Pollack, divide the Major Arcana into three distinct series containing seven cards each. Each series of seven represents three distinct stages or levels of experience and development: the conscious, the subconscious, and the superconscious.

Cards 1 through 7 describe our journey through the first stage of our conscious development. This first set of seven depicts the archetypal influences and developmental milestones we must master and achieve in order to be effective in the outer world of material achievement.

In the next set, cards 8 through 14 represent a turning inwards, where we must come face to face with elements of our subconscious minds and integrate them into our being to achieve further wholeness. We come into contact with what has as of yet remained latent beneath the surface of our daily experience. 

“True, whoever looks into the mirror of the water will see first of all his own face. Whoever goes to himself risks a confrontation with himself….

The meeting with oneself is, at first, the meeting with one’s own shadow. The shadow is a tight passage, a narrow door, whose painful constriction no one is spared who goes down to the deep well. For what comes after the door is, surprisingly enough, a boundless expanse full of unprecedented uncertainty….

It is the world of water, where all life floats in suspension; where the realm of the sympathetic system, the soul of everything living, begins….

All those who have had an experience like that mentioned in the dream know that the treasure lies in the depths of the water and will try to salvage it.” — from C.G. Jung CW 9

Here, we must face the primal, chaotic life energies that constitute our subconsciousness. This experience can be deeply shocking and even terrifying, especially for a culture as unprepared to deal with these deep and powerful currents of psychic energy as the hyper-rational, patriarchal capitalist culture of today.

Finally, the last set of cards numbered 15 through 21 show the development of what both B.O.T.A. and Pollack describe as “superconsciousness”, or what some might call the transpersonal level of psyche. This level transcends the purely personal experience to encompass a union with the spiritual, universal and archetypal level of existence. In this stage, we move beyond our personal, individual life stories and connect with the mystery of the infinite, that which is greater than ourselves.

“We know that the mask of the unconscious is not rigid–it reflects the face we turn towards it. Hostility lends it a threatening aspect, friendliness softens its features.”

–from C.G. Jung CW 12

It is here where we come into contact with what we might call cosmic consciousness. This is a level of development reserved to those who are brave and willing enough to take a leap of faith into the vast unknown.


It is interesting to note that the great majority of the human figures represented in these 22 cards are displayed in static, unmoving positions, almost as if they were posing for a portrait.

Only two cards portray figures in movement: Key 0, the Fool, and Key 21, the World.

This is likely meant to suggest a certain similarity between what is represented by the Fool and the World. Indeed, we find that the symbolic imagery represented in the World portrays our experience when we find that we have successfully traversed the various tests, challenges, and opportunities for growth shown in each of the previous cards of the Major Arcana.

Having integrated all of these lessons, we arrive at the World, liberated from our previous patterns, our illusions, and our limitations. We have freed ourselves from any inner restrictions and defense mechanisms, much of which had arisen as attempts to protect our ego from the incursions of a seemingly dangerous outer world. 

When this happens, we find ourselves once again in a state of pure openness to the world, where we can experience a true receptivity and responsiveness to our experience as it arises moment-by-moment. 

This is a state very similar to that of the Fool. Once again, we find that we are open to the fullness and totality of the world around us, at one with our environment and all that is. We have come full circle to once again embody pure potential and limitless possibility. 

However, this state is in many ways much more powerful. Arriving at the World, we have gained the capacity to combine the wisdom of experience with a child-like sense of wonder, awe and joy. We are able to move beyond dualistic concepts and achieve union with what is beyond ourselves. 

The purpose of this transcendent spiritual union with the Divine is not to escape our material and embodied physical existence, but to transform it. We are meant to use our higher spiritual consciousness in service of the mundane.

In true alchemical fashion, the purpose of this spiritual ascension is to bring what is gained above back down to perfect the world below. 

“It rises from the Earth to Heaven, and descends again to Earth,

Thereby combining within it the powers of both the Above and the Below.”

–The Emerald Table

As we have seen, Major Arcana of the Tarot provides a profound symbolic representation of the soul’s journey from innocence to awareness. Although the Tarot is indeed a dynamic and powerful tool for divination, it is far more than that. The Tarot contains a profound message of transformation and redemption for those who have eyes to see it. We can use it as a tool for study, for quiet reflection, or for meditation on the archetypal principles underlying each of these 22 cards. If we can bring an attitude of intention, openness and receptivity to our work with these cards, the Tarot can be one of our best guides on the often labyrinthine journey of return to our highest selves.

Image from Carl Jung’s “Red Book

“Yesterday I was clever, so I wanted to change the world. Today I am wise, so I am changing myself.”

–Rumi

Prima Materia

The Prima Materia, or First Matter, is a difficult concept to define. It has been said that the First Matter is both everything and nothing.

According to D. W. Hauck , “It is the primal One Thing that existed before time, as well as the primordial chaos that contains all possibilities.” It is said that the First Matter carries the germ or seeds of all things that every existed or ever could exist in the future.

In the Emerald Tablet, the “One Thing” refers to the Prima Materia. This was then acted upon by the thoughts or word of the One Mind to create the material reality we can observe with our senses.

The Egyptian hieroglyph for the sound “kh” also symbolized the concept of the First Matter. It was the first letter used in the word khem , which means “black matter which is alive.” [It also the root of the word alchemy.] Other possible translations of this word are “placenta,” “fertile dirt,” or “living black soil.”

It can be thought of as the unmanifest, the part of God or spirit that is all potential, that contains all possibilities.

It the substance that we start with, the raw material that is perfected through the entire alchemical process known as the “Great Work.”

The Archetypal in Astrology

According to Richard Tarnas, the archetypal is the spiritual and energetic. It was originally experienced by human people as “Gods” and “Goddesses,” and described in terms of mythologies.

The archetypal is about the essences and qualities that transcend the human.

These ideas were later expounded upon in Ancient Greece, with the philosophies of Plato and Plotinus, among others. They were forgotten for many years until their recovery by the likes of Nietzsche, Freud, and Carl Jung.

Jung’s depth psychology explored the idea of the archetypal pleroma, the pantheon of archetypal energy, both within and without. It was Jung who recognized that we are in psyche. It informs not only us but all of nature. This is what is meant by the Anima Mundi, or world soul.

It was through myths that man tried to understand and convey its experience of this world soul. Myth, as well as dreams, are the narrative form of archetypal energy. According to Tarnas, this is how the cosmos pours its consciousness through us humans. The archetypes are thus the mediators of the cosmos, the way the Anima Mundi often speaks to us directly of its secrets.

Plotinus says that astrology is like a script that the soul of the sky is writing. Meaning is something that extends and permeates through all levels of reality and existence. We are living in a pan-psychic universe, and if we wish to, we can be active participants with this consciousness or sentience.

The cosmos gives us guidance on how we can participate constructively. The archetypes don’t “cause” human affairs or outer events to occur in some mechanistic way. Instead, it is open to our human participation.

It is as if the universe or nature is providing us with symbols or guideposts regarding the qualitative meaning of our unfolding. We can choose to participate actively in our own evolution by noticing and following the signs provided for us by the macrocosm.